The book in question is prefaced with what could be described as a defiance of Barthesian attitudes towards literature (i.e. an irreverence towards authorial intentions and context) . The author audaciously suggests the order in which he would like his book to be read. Such direction might seem archaic in an era in which authorial intent is often cast to the wayside. However, in following his suggested formula — beginning in the middle of the book before returning to its start and eventually the conclusion — I believe I benefited from the book in a wholly unique way. Continue reading Parables from Plymouth Rock: A Book Review of “Liberty’s Jihad” by Munawar Ali Karim
One of the blessings in art – one that appears to be lost in the spirit of the Western Muslim – is that it allows us to find new ways to question and reflect upon our personal states. With respect to cinema, despite the countless films and genres that appear to celebrate all manners of excess including senseless violence and gore, there are those that utilize these motifs to invite reflection from the audience. One such film is the Japanese animation Grave of the Fireflies. Continue reading Reclaiming Empathy: A Film Review of “Grave of the Fireflies”
hypocritical to a tee,
they don’t see, Continue reading Amicable Me
A Book Review of The City of Brass by S. A. Chakraborty. One of the factors that has distinguished the literary tradition in the Muslim world from that of the cultural West for much of the past millennium is the modality adopted by popular literature. Continue reading Faith and Fantasy: Is Islamic Fiction Viable?
“The greatest trick the devil ever pulled was convincing the world he didn’t exist.” -The Usual Suspects Continue reading The Devil You Know, Or Thought You Knew