Castles of Delusion – Reflections of Power in “Throne of Blood” (1957)

We pan out only to see the ruins swallowed by the mist before vanishing altogether. So begins and so concludes Akira Kurosawa’s eerie period drama “Throne of Blood”. Throne of Blood is the late director’s adaptation of William Shakespeare’s Macbeth, trading the warring Scottish Highlands for feudal Japan. It wasn’t one of the famed Japanese auteur’s most lucrative works when it was released, neither domestically nor internationally, but in the decades since the film has garnered significant praise among his oeuvre of works. Continue reading Castles of Delusion – Reflections of Power in “Throne of Blood” (1957)

Reclaiming Empathy: A Film Review of “Grave of the Fireflies”

One of the blessings in art – one that appears to be lost in the spirit of the Western Muslim – is that it allows us to find new ways to question and reflect upon our personal states. With respect to cinema, despite the countless films and genres that appear to celebrate all manners of excess including senseless violence and gore, there are those that utilize these motifs to invite reflection from the audience. One such film is the Japanese animation Grave of the Fireflies. Continue reading Reclaiming Empathy: A Film Review of “Grave of the Fireflies”

The Fine Line: A Film Critique of Doucouré’s “Cuties”

Even before Maïmouna Doucouré’s Cuties, or Mignonnes in French, was released on Netflix, it ignited international debate. The trailer alone provoked huge controversy for the film’s questionable use of minors, representation of minorities, and framing of Islam. Although raw emotion and knee-jerk reactions can be impulsively misleading and hinge on mob mentality, they may also be incredibly revealing. The instinctual response to a film says a lot about how well it conveys its message appropriately. Continue reading The Fine Line: A Film Critique of Doucouré’s “Cuties”